On The Map: Beenie warns immigration

April 27, 2011

Beenie warns immigration

BY YVETTE BEST | WED, APRIL 27, 2011 - 12:03 AM
BARBADOS NATION NEWS

DANCEHALL KING BEENIE MAN has a timely word of advice for the local immigration authorities.

He took a moment from his performance before a massive crowd at Brandons Beach, St Michael, for the Reggae Beach Party last Sunday night, to speak to the ongoing issue with his countrymen and local officials.

“Ease up Jamaican. Stop pressure Jamaican,” he said from the stage as he wagged his finger.

Speaking to the DAILY NATION after his explosive performance, Beenie said it was a warning, not a threat.

“Sometime you get fed up ah one ting, yuh know. ’Cause you have been all over de world and den sometime you doan really need to come to Barbados.

The immigration need to tink twice. I ‘ave friends who come over ‘ere and end up in jail fi four days fi no reason,” he stated.

He said he too had been “arrested” by local officers. He said he had issues on his last visit, but everything was cool this time around. Having said that, Beenie Man said the “vibes nice and de people dem enjoy demself and me like that. Thank you Barbados”.

Reports about Jamaicans being ill-treated have recently come into focus in the wake of accusations by Shanique Myrie that she was finger-raped while being held in Barbados last month.

Beenie said he had performed here a total of 15 times since 1992, and kept coming back because of the people.

The live wire on stage said he had been busy touring and was currently working on a new album, titled The King In Control, which is due out this summer.

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Statement

The Caribbean was the cradle of New World globalization. Our people all came from somewhere else, into the belly of the Americas.

Characterised by waves of migrant experience, the Caribbean became a place of confluence, transience and hybridity which for years romanticized the struggle to be whole, to become one Caribbean people. In spite of this ideal, we remain as fragmented as ever, locked into nationalist crevices, linguistic divides and exclusivist cultural legitimacy.

The repeated production of idyllic images of an eternal playground for tourists on the one hand, and notions of the region as fragmented, failed and chaotic on the other; mask a complex history, leaving Caribbeans ambivalent about a sense of self.

We must answer the question, both creatively and critically, what is the Caribbean? What image of ourselves do we wear and to what extent do these images represent who we actually are? What is the truth of our own lived realities and how do we speak to each other of this reality?

The challenge is to remove the mask created by the visitors’ gaze, to see through the rigid stereotypes, and to honestly reflect on our states of being.

My work exposes tensions within the larger context of a post-colonial history and the more recent experiences of post independence and 9/11. More personal explorations of home/land, longing and belonging, and creoleness, serve as cartographic meanderings of Caribbean space, and investigations of the self within that space; in an effort to discern the territory.

September 9 2007
St. George, Barbados

(complete text)

I am the complex Creole
My context is the Caribbean

An archipelago crocheted into a crossbreed
Of carnival, class and comess
Cognizant of Columbus
And the Commonwealth
That created these confused colonies
Correctly criticized for the callous treatment
Of the Amerindian
And the reconstitution
Of a Caribbean caste system

Several centuries later
My coronary artery crackles
When I think of the creatures
That created this cacophonous confusion

And although we collide
There is more chaos than community
Some feel like foreigners
As though uncharacteristic
Of these now ex-colonies
Our natural native islands

I celebrate the chorus of the Creole Chant

But I have a creed that I wear
Like a crest on my chest
My credentials are that I am created equally
Credible from my cranium to my coccyx

I cleave to no church, temple nor country
I sing the canticles
And practice a yoga
I chant
I breathe
I made my jappa and wrote a creed
I owned a crucifix
And acknowledge the crescent

I anoint myself with a communion of
Cinnamon, coffee and cumin
Cocoa, cotton and cane
It is with composure and compassion that
I conceive my compatriots as compatible
Whether Cuban or Guyanese,
Christian or Muslim, Hindu or Jew

I contemplate a Caribbean conservatory
That is a consanguineous conscious community
Confidently confirming a conglomerate
Who speak patois, Papiamento, Spanish and Creole

I celebrate the chorus of the Creole Chant

As a complex Creole
Confronting this crossroads of centuries
I cannot condone the corruption
Nor those who configure the conflict –
I outcast them from community

I contradict the unicursal way
And commemorate the cobweb we have become
I come to you
Not as a comedian
Nor as a clown
I come to you as a coalition
Of combustible matter
A civilized collective
Sometimes caustic, but never counterfeit
I am a cordless creator of culture
Conveying my codes
To a community that isn’t convinced
Of the credit of cultural producers

And now I wear coronet
A continuous circular

In my cipher
I chuckle
I weep

I celebrate the chorus of the Creole chant

April 27, 2011

Beenie warns immigration

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Creole Chant

(complete text)

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