On The Map: Migrant farm workers stage wildcat strike to demand thousands of dollars in unpaid wages: Employer responds with deportation

February 23, 2011

Migrant farm workers stage wildcat strike to demand thousands of dollars in unpaid wages: Employer responds with deportation

Although this wild cat strike by migrant workers took place last November in Canada, I have decided to post it because the site is a useful reference. Over the next few weeks here in Barbados, the government will be discussing the Green/White papers on proposals for legislative reform to the Immigration Policy and Guest Worker programmes are discussed in the paper.

November 23, 2010

(Simcoe, Ontario) Over a 100 migrant farm workers employed at Ghesquiere Plants Ltd. are facing imminent repatriation (deportation) after staging a wildcat strike to demanding thousands of dollars in unpaid wages.

The migrant workers from Mexico, Jamaica, Trinidad and Barbados came together across racial, linguistic and ethnic lines to organize this wild cat strike and strengthen their collective power. The workers employed by this farm described numerous rights violations and complaints about their living conditions including the following:

- Workers are each owed from $1000 to $6000 in unpaid wages
- Workers are to be evicted and will be homeless as of Thursday, November 25th, 2010
- Most of the Mexican and Trinidadian workers will be repatriated by this Thursday. All Jamaican workers have been repatriated
- Electricity and heat has been cut off in one bunk
- Deplorable and very crowed living conditions

Read rest of article here.

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Statement

The Caribbean was the cradle of New World globalization. Our people all came from somewhere else, into the belly of the Americas.

Characterised by waves of migrant experience, the Caribbean became a place of confluence, transience and hybridity which for years romanticized the struggle to be whole, to become one Caribbean people. In spite of this ideal, we remain as fragmented as ever, locked into nationalist crevices, linguistic divides and exclusivist cultural legitimacy.

The repeated production of idyllic images of an eternal playground for tourists on the one hand, and notions of the region as fragmented, failed and chaotic on the other; mask a complex history, leaving Caribbeans ambivalent about a sense of self.

We must answer the question, both creatively and critically, what is the Caribbean? What image of ourselves do we wear and to what extent do these images represent who we actually are? What is the truth of our own lived realities and how do we speak to each other of this reality?

The challenge is to remove the mask created by the visitors’ gaze, to see through the rigid stereotypes, and to honestly reflect on our states of being.

My work exposes tensions within the larger context of a post-colonial history and the more recent experiences of post independence and 9/11. More personal explorations of home/land, longing and belonging, and creoleness, serve as cartographic meanderings of Caribbean space, and investigations of the self within that space; in an effort to discern the territory.

September 9 2007
St. George, Barbados

(complete text)

I am the complex Creole
My context is the Caribbean

An archipelago crocheted into a crossbreed
Of carnival, class and comess
Cognizant of Columbus
And the Commonwealth
That created these confused colonies
Correctly criticized for the callous treatment
Of the Amerindian
And the reconstitution
Of a Caribbean caste system

Several centuries later
My coronary artery crackles
When I think of the creatures
That created this cacophonous confusion

And although we collide
There is more chaos than community
Some feel like foreigners
As though uncharacteristic
Of these now ex-colonies
Our natural native islands

I celebrate the chorus of the Creole Chant

But I have a creed that I wear
Like a crest on my chest
My credentials are that I am created equally
Credible from my cranium to my coccyx

I cleave to no church, temple nor country
I sing the canticles
And practice a yoga
I chant
I breathe
I made my jappa and wrote a creed
I owned a crucifix
And acknowledge the crescent

I anoint myself with a communion of
Cinnamon, coffee and cumin
Cocoa, cotton and cane
It is with composure and compassion that
I conceive my compatriots as compatible
Whether Cuban or Guyanese,
Christian or Muslim, Hindu or Jew

I contemplate a Caribbean conservatory
That is a consanguineous conscious community
Confidently confirming a conglomerate
Who speak patois, Papiamento, Spanish and Creole

I celebrate the chorus of the Creole Chant

As a complex Creole
Confronting this crossroads of centuries
I cannot condone the corruption
Nor those who configure the conflict –
I outcast them from community

I contradict the unicursal way
And commemorate the cobweb we have become
I come to you
Not as a comedian
Nor as a clown
I come to you as a coalition
Of combustible matter
A civilized collective
Sometimes caustic, but never counterfeit
I am a cordless creator of culture
Conveying my codes
To a community that isn’t convinced
Of the credit of cultural producers

And now I wear coronet
A continuous circular

In my cipher
I chuckle
I weep

I celebrate the chorus of the Creole chant

February 23, 2011

Migrant farm workers stage wildcat strike to demand thousands of dollars in unpaid wages: Employer responds with deportation

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Creole Chant

(complete text)

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