On The Map: Shanique Myrie sues Barbadian Government

January 11, 2012

Shanique Myrie sues Barbadian Government

Posted on 07 January 2012 by Bajan Sun Online
THE JAMAICAN woman who is accusing Barbadian officials of cruel and vulgar cavity search at the Grantley Adams International Airport on March 14 last year has filed a suit in the Caribbean Court of Justice (CCJ).
The case, which is said to be the first of its kind before the CCJ, will be asking the court to determine a critical issue which will be used as a precedent.
Shanique Myrie, 22, who is being represented by the law firm HyltonBrown is asking the court, in the suit filed yesterday, to determine what is the minimum standard of treatment to be given to CARICOM nationals moving within the region under the Revised Treaty of Chaguaramas and its goal of hassle-free travel.
Degrading treatment
Myrie is alleging that degrading treatment was meted out to her at the hands of Barbadian border officials at the airport.
The law firm had allowed sufficient time for both the Jamaican and the Barbadian governments to attempt to settle the issue. When a settlement was not reached, the firm obtained leave from the Jamaican Government to file the action. The firm, before filing the suit, had made attempts to engage the Barbadian government in discussions but to no avail.
Jamaican attorneys-at-law Anthony Hylton and Michelle Brown from the firm will be arguing the case for Myrie.
In a news release issued yesterday, the law firm disclosed that the case would set the precedent for how persons move throughout the region.

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Statement

The Caribbean was the cradle of New World globalization. Our people all came from somewhere else, into the belly of the Americas.

Characterised by waves of migrant experience, the Caribbean became a place of confluence, transience and hybridity which for years romanticized the struggle to be whole, to become one Caribbean people. In spite of this ideal, we remain as fragmented as ever, locked into nationalist crevices, linguistic divides and exclusivist cultural legitimacy.

The repeated production of idyllic images of an eternal playground for tourists on the one hand, and notions of the region as fragmented, failed and chaotic on the other; mask a complex history, leaving Caribbeans ambivalent about a sense of self.

We must answer the question, both creatively and critically, what is the Caribbean? What image of ourselves do we wear and to what extent do these images represent who we actually are? What is the truth of our own lived realities and how do we speak to each other of this reality?

The challenge is to remove the mask created by the visitors’ gaze, to see through the rigid stereotypes, and to honestly reflect on our states of being.

My work exposes tensions within the larger context of a post-colonial history and the more recent experiences of post independence and 9/11. More personal explorations of home/land, longing and belonging, and creoleness, serve as cartographic meanderings of Caribbean space, and investigations of the self within that space; in an effort to discern the territory.

September 9 2007
St. George, Barbados

(complete text)

I am the complex Creole
My context is the Caribbean

An archipelago crocheted into a crossbreed
Of carnival, class and comess
Cognizant of Columbus
And the Commonwealth
That created these confused colonies
Correctly criticized for the callous treatment
Of the Amerindian
And the reconstitution
Of a Caribbean caste system

Several centuries later
My coronary artery crackles
When I think of the creatures
That created this cacophonous confusion

And although we collide
There is more chaos than community
Some feel like foreigners
As though uncharacteristic
Of these now ex-colonies
Our natural native islands

I celebrate the chorus of the Creole Chant

But I have a creed that I wear
Like a crest on my chest
My credentials are that I am created equally
Credible from my cranium to my coccyx

I cleave to no church, temple nor country
I sing the canticles
And practice a yoga
I chant
I breathe
I made my jappa and wrote a creed
I owned a crucifix
And acknowledge the crescent

I anoint myself with a communion of
Cinnamon, coffee and cumin
Cocoa, cotton and cane
It is with composure and compassion that
I conceive my compatriots as compatible
Whether Cuban or Guyanese,
Christian or Muslim, Hindu or Jew

I contemplate a Caribbean conservatory
That is a consanguineous conscious community
Confidently confirming a conglomerate
Who speak patois, Papiamento, Spanish and Creole

I celebrate the chorus of the Creole Chant

As a complex Creole
Confronting this crossroads of centuries
I cannot condone the corruption
Nor those who configure the conflict –
I outcast them from community

I contradict the unicursal way
And commemorate the cobweb we have become
I come to you
Not as a comedian
Nor as a clown
I come to you as a coalition
Of combustible matter
A civilized collective
Sometimes caustic, but never counterfeit
I am a cordless creator of culture
Conveying my codes
To a community that isn’t convinced
Of the credit of cultural producers

And now I wear coronet
A continuous circular

In my cipher
I chuckle
I weep

I celebrate the chorus of the Creole chant

January 11, 2012

Shanique Myrie sues Barbadian Government

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Creole Chant

(complete text)

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