On The Map: Review about ON THE MAP

February 16, 2009

Review about ON THE MAP

The following review was published in Sunday Chronicle in Guyana on 24th August 2008. It is being reproduced with the kind permission of the editor and the author, Norman Faria.

MOVIE BY BARBADIAN LOOKS AT CHALLENGES FOR REGIONAL INTEGRATION
by Norman Faria

Released last year and shown to largely appreciative regional and international audiences, the movie ON THE MAP by Barbadian visual artist Annalee Davis is a welcome addition to the ongoing discussion on the challenges of the sub-regional integration movement.
According to Ms. Davis's internet blog, the half hour documentary "examines current intra-regional migration with a focus on Barbados, Trinidad and Tobago and Guyana."
"It explores", the statement of intent continues, " the views of residents of host countries, exposes institutional abuse and demonstrates gaps between the official stated and the actual experiences of unskilled Caribean migrants".
I was greatly honoured to be invited by Annalee (if I may use her first name having known her for several years) to the premiere showing of the movie in Barbados last December... keep reading

Note
Norman Faria is Guyana's Honorary Consul in Barbados

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ORDER YOUR OWN COPY OF ON THE MAP

Email annalee@annaleedavis.com to order your copy of ON THE MAP.
We accept cheques or International postal orders included with your complete return mailing address and sent to Annalee Davis. Email Annalee for the mailing address.

You may also contact Annalee to schedule a screening at your school, university, artists' collective or gallery, community group, library, place of worship, private sector entity or government department. This can include a Panel Session which allows the issues raised by the film to be constructively discussed with the Director, invited Pannellists and the audience.

Statement

The Caribbean was the cradle of New World globalization. Our people all came from somewhere else, into the belly of the Americas.

Characterised by waves of migrant experience, the Caribbean became a place of confluence, transience and hybridity which for years romanticized the struggle to be whole, to become one Caribbean people. In spite of this ideal, we remain as fragmented as ever, locked into nationalist crevices, linguistic divides and exclusivist cultural legitimacy.

The repeated production of idyllic images of an eternal playground for tourists on the one hand, and notions of the region as fragmented, failed and chaotic on the other; mask a complex history, leaving Caribbeans ambivalent about a sense of self.

We must answer the question, both creatively and critically, what is the Caribbean? What image of ourselves do we wear and to what extent do these images represent who we actually are? What is the truth of our own lived realities and how do we speak to each other of this reality?

The challenge is to remove the mask created by the visitors’ gaze, to see through the rigid stereotypes, and to honestly reflect on our states of being.

My work exposes tensions within the larger context of a post-colonial history and the more recent experiences of post independence and 9/11. More personal explorations of home/land, longing and belonging, and creoleness, serve as cartographic meanderings of Caribbean space, and investigations of the self within that space; in an effort to discern the territory.

September 9 2007
St. George, Barbados

(complete text)

I am the complex Creole
My context is the Caribbean

An archipelago crocheted into a crossbreed
Of carnival, class and comess
Cognizant of Columbus
And the Commonwealth
That created these confused colonies
Correctly criticized for the callous treatment
Of the Amerindian
And the reconstitution
Of a Caribbean caste system

Several centuries later
My coronary artery crackles
When I think of the creatures
That created this cacophonous confusion

And although we collide
There is more chaos than community
Some feel like foreigners
As though uncharacteristic
Of these now ex-colonies
Our natural native islands

I celebrate the chorus of the Creole Chant

But I have a creed that I wear
Like a crest on my chest
My credentials are that I am created equally
Credible from my cranium to my coccyx

I cleave to no church, temple nor country
I sing the canticles
And practice a yoga
I chant
I breathe
I made my jappa and wrote a creed
I owned a crucifix
And acknowledge the crescent

I anoint myself with a communion of
Cinnamon, coffee and cumin
Cocoa, cotton and cane
It is with composure and compassion that
I conceive my compatriots as compatible
Whether Cuban or Guyanese,
Christian or Muslim, Hindu or Jew

I contemplate a Caribbean conservatory
That is a consanguineous conscious community
Confidently confirming a conglomerate
Who speak patois, Papiamento, Spanish and Creole

I celebrate the chorus of the Creole Chant

As a complex Creole
Confronting this crossroads of centuries
I cannot condone the corruption
Nor those who configure the conflict –
I outcast them from community

I contradict the unicursal way
And commemorate the cobweb we have become
I come to you
Not as a comedian
Nor as a clown
I come to you as a coalition
Of combustible matter
A civilized collective
Sometimes caustic, but never counterfeit
I am a cordless creator of culture
Conveying my codes
To a community that isn’t convinced
Of the credit of cultural producers

And now I wear coronet
A continuous circular

In my cipher
I chuckle
I weep

I celebrate the chorus of the Creole chant

February 16, 2009

Review about ON THE MAP

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Podcast at the Brooklyn Museum

Annalee Davis

Statement

Creole Chant

(complete text)

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