On The Map: The Reel World Film Festival, Toronto April 2

April 9, 2008

The Reel World Film Festival, Toronto April 2 - 6

Reel World was a great experience! It was a well organised festival with information packed Industry Panel Sessions and relaxed opportunities to meet Directors, Distributors, Actors, New Media people, Producers etc.

One of the film highlights was "Namibia: The Struggle for Liberation" - Directed by Charles Burnett from LA and with Danny Glover - a film about Namibia's struggle for independence. (It is being screened in Barbados at the upcoming Caribbean Int'l Film Festival.) Following the screening, Burnett was interviewed by Cameron Bailey - one of Canada's top Film Critics (with Bajan roots!)

"Welcome to Nollywood" by Jamie Meltzer is about Nigeria's film industry and is full of good laughs.
Spent some real time with McLean Greaves - a "savvy techy", top in the field of New Media in Canada - as well as Terri Brown, who is building the Roxbury Film Festival in Boston and wants ON THE MAP to be a part of that in July this year.

Aside from the 1 degree weather - it was a good opportunity to meet people, promote the film and develop opportunities for ON THE MAP....had an interview with Asia TV as well as a Radio interview about the film project.
Tonya Williams, Founder and Director of Reel World, Hayet Benkara, the Programming Manager, and her assistant, Marianne, were all warm, professional and accomodating. All good!

3 comments:

Cybercíclope said...: Hi Annalee!

I erased a spam comment that you had here. I´ll check the settings to avoid this in the future.

Hugs

Omar; 4/15/2008 10:11 AM
Annalee Davis said...: Thanks, Omar, Very grateful for that intervention.
Annalee; 4/15/2008 11:57 AM
Unknown said...: Thanks for the mention, Annalee. I would like to proudly point out I just as Bajan as my fellow Canuck Cameron Bailey. Well, actually he's visited a lot more than I have so perhaps he's a bit more Bajan than I am....for now!

Cheers,

MMG; 4/20/2008 6:38 PM

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Statement

The Caribbean was the cradle of New World globalization. Our people all came from somewhere else, into the belly of the Americas.

Characterised by waves of migrant experience, the Caribbean became a place of confluence, transience and hybridity which for years romanticized the struggle to be whole, to become one Caribbean people. In spite of this ideal, we remain as fragmented as ever, locked into nationalist crevices, linguistic divides and exclusivist cultural legitimacy.

The repeated production of idyllic images of an eternal playground for tourists on the one hand, and notions of the region as fragmented, failed and chaotic on the other; mask a complex history, leaving Caribbeans ambivalent about a sense of self.

We must answer the question, both creatively and critically, what is the Caribbean? What image of ourselves do we wear and to what extent do these images represent who we actually are? What is the truth of our own lived realities and how do we speak to each other of this reality?

The challenge is to remove the mask created by the visitors’ gaze, to see through the rigid stereotypes, and to honestly reflect on our states of being.

My work exposes tensions within the larger context of a post-colonial history and the more recent experiences of post independence and 9/11. More personal explorations of home/land, longing and belonging, and creoleness, serve as cartographic meanderings of Caribbean space, and investigations of the self within that space; in an effort to discern the territory.

September 9 2007
St. George, Barbados

(complete text)

I am the complex Creole
My context is the Caribbean

An archipelago crocheted into a crossbreed
Of carnival, class and comess
Cognizant of Columbus
And the Commonwealth
That created these confused colonies
Correctly criticized for the callous treatment
Of the Amerindian
And the reconstitution
Of a Caribbean caste system

Several centuries later
My coronary artery crackles
When I think of the creatures
That created this cacophonous confusion

And although we collide
There is more chaos than community
Some feel like foreigners
As though uncharacteristic
Of these now ex-colonies
Our natural native islands

I celebrate the chorus of the Creole Chant

But I have a creed that I wear
Like a crest on my chest
My credentials are that I am created equally
Credible from my cranium to my coccyx

I cleave to no church, temple nor country
I sing the canticles
And practice a yoga
I chant
I breathe
I made my jappa and wrote a creed
I owned a crucifix
And acknowledge the crescent

I anoint myself with a communion of
Cinnamon, coffee and cumin
Cocoa, cotton and cane
It is with composure and compassion that
I conceive my compatriots as compatible
Whether Cuban or Guyanese,
Christian or Muslim, Hindu or Jew

I contemplate a Caribbean conservatory
That is a consanguineous conscious community
Confidently confirming a conglomerate
Who speak patois, Papiamento, Spanish and Creole

I celebrate the chorus of the Creole Chant

As a complex Creole
Confronting this crossroads of centuries
I cannot condone the corruption
Nor those who configure the conflict –
I outcast them from community

I contradict the unicursal way
And commemorate the cobweb we have become
I come to you
Not as a comedian
Nor as a clown
I come to you as a coalition
Of combustible matter
A civilized collective
Sometimes caustic, but never counterfeit
I am a cordless creator of culture
Conveying my codes
To a community that isn’t convinced
Of the credit of cultural producers

And now I wear coronet
A continuous circular

In my cipher
I chuckle
I weep

I celebrate the chorus of the Creole chant

April 9, 2008

The Reel World Film Festival, Toronto April 2 - 6

3 comments:

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Statement

Creole Chant

(complete text)

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